Paris Fashion Week 2016

Post-apocalyptic inspiration borrowed from manga culture of Louis Vuitton to the romance of Moncler Gamme Rouge: Paris Fashion Week closes the banner of contrasts.

The Paris Fashion Week SS 2016 closes its doors, marking the end of the (long) month dedicated to ready-to-wear with a last day filled with  mood and conflicting emotions.

While in fact, Louis Vuitton and Miu Miu have chosen to explore “new frontiers”,  also different from each other, the other Moncler Gamme Rouge and alludes have chosen a romantic style classic and reassuring, as with obvious experiments. While niche “names”, as Christian Wijnants and Paul Ka, were inspired by the sculpture and painting in a kind of mixture between fashion and art is nothing new, but always manages to charm.

New frontiers

The issue of innovation has always been strongly felt by the fashion industry and Nicholas Ghesquière, with the spring-summer 2016 proposal of Louis Vuitton, he decided to interpret it going much further. The former creative director of Balenciaga has chosen as a common thread “a journey to the frontier of the digital world”, with a declared homage to the cult saga manga Neon Genesis Evangelion. The result is a collection dall’afflato post-apocalyptic, which mixes elements of pop culture of souls-skirts, jumpsuits, minidress, dry lines-the reference codes of the Vuitton style or luxury, leather, accessories and attention to detail.

To create the collection SS 2016 Miu Miu, Miuccia Prada started instead from the assumption that “the world is becoming very irrational”, giving shape to the catwalk with look composed classics revisited with materials, colors and unusual patterns and combinations to say little discordant. So, here is the male pole, dresses and long dress made ​​of tulle and organza with lace details and silk, coupled with maxi pullovers, men’s shirts, midi skirts and beautiful (but what spring?) Oversize coats with large reverse. A daring mix, which preserves the unmistakable elegance and lightness of its creator, but leaves more of a concern on the need to continue to raise the bar.

Romantic style (and reassuring)

Dopo le atmosfere cupe e futuristiche di Louis Vuitton e Miu Miu, la location bucolica e so british di Moncler Gamme Rouge ha portato una ventata di leggerezza nell’ultimo giorno della Paris Fashion Week, ricordando (tra l’altro) che le sfilate sono dedicate alla stagione più luminosa dell’anno. Giambattista Valli, infatti, ha costruito una collezione romantica e leggiadra, in cui i baby-doll dress sono assoluti protagonisti. Realizzati in guipure, organza e tessuto tecnico, si accompagnano a completi e capispalla che mescolano stile sportivo(rappresentato dal tema della scherma) e suggestioni del XVII secolo, con un risultato sofisticato e convincente.

A palette of soft and delicate colors-composed of virginal white, cream and light green – and deconstructed forms are the common thread of the spring-summer 2016 proposa lalludes that “reassures” their loyal customers with an elegant style and capable of renew without stravolgersi.

Fashion and Art

Among the giants of fashion, the last day of Paris Fashion Week SS 2016 shows there was also room for different niche names, including Christian Wijnants and Paul Ka.

Both have chosen to play the card of the admixture of fashion and art , the first inspired by the work of the Romanian sculptor Constantin Brancusi and the second to the famous paintings of Escher, with an undeniably interesting result, but that does not make any important change in the landscape of international fashion.

However, the clothes from the simple and delicate silhouette of Wijnants and color palette of Ka have accessibility concept and style that will win over the public.

Gallery

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